It’s really best to read Linda’s post but here’s a teeny extract:
‘David’s Father was, in his words ‘an aviation nutcase’, he was also a brilliant aeromodeller whose first job was at Croydon airport working for Sir Alan Cobham a pioneering aviator . David & his dad watched the first public flight of the Red Arrows in 1965 together at Biggin Hill.’
David’s talk at Swindon’s museum and art gallerycame close to the end of his Out of the Box exhibition there. It’s been a gorgeous exhibition with a super cross section of David’s output. Because, all though most known (it’s arguable) for his aviation work and his association with the Red Arrows, that isn’t all he does.
David’s exhibition garnered some super feedback as can be seen in this image from the Museum and Art gallery’s Twitter feed.
‘Circus’ by David Bent
NB: For only £15 a year, you can become a Friend and come along to their talks, join them on trips out to places like The Royal Academy and Pallant House Gallery. There’s always something going on. To become a Friend or find out more about about them visit: www.friendsofsmag.org
Not only is one of Tim’s paintings, Orangerie, on the exhibition poster, he also has some paintings in the exhibition.
‘This highly popular exhibition showcases the best of the region’s artistic talent. It’s a must for art lovers and collectors alike, with all works for sale.
The Society was founded in 1904 with 26 members. It has grown over the years to a membership of around 120 diverse, talented artists.
With Tim being exhibition organiser, Linda has all the ‘behind the scenes’ info. As she says: ‘it’s a tremendous undertaking to select and gather work together to exhibit in the prestigious Victoria Art Gallery.’
And a few more photos below:
More about Tim Carroll Swindon Artist work
See also this post below about Tim’s wonderful body of work, 100 Views of Swindon.
Doing a Ronseal, this is exactly what it says it is. A book comprising a collection of paintings that comprises 100 personal and intimate views of Swindon. #obvs
I love these paintings for: 1. Thee style and I love the colours. 2. Their depictions of Swindon and … 3. … their lack of focus on the iconic and the picturesque. Tim has painted the everyday too.
And now Tim’s collected them all together in to a lovely little book.
It’s a super collection of work. I had a job on choosing one. And there had to be a choice as I simply don’t have the wall space. In the end I plumped for one that featured the David Murray John tower. I’ve contented myself with that one and a few others in postcard form – notably The Blondinis. This post shows Tim, a few years back now, doing some restoration work on this gorgeous and exuberant piece of public art.
Below is an extract from it. Do follow the link above and read the whole thing. It’s fascinating stuff all about the Nervi football stand that Swindon never got.
It turns out that:
‘In June 1963, at the height of his appeal, Nervi received an unexpected piece of correspondence. It came from the municipality of Swindon, England.
Swindon was a mid-sized railway town, located 80 miles west of London in the rural county of Wiltshire. The letter from Mr Laurence Robertson explained that he‘d received authorisation from the local Council. It explained that they wished to engage an “illustrious” architect to produce plans for a new grandstand at the County Ground. The home of Second Division Swindon Town FC.
The project was to be funded by the Council as landowners and repaid over time by the tenant football club.
SBC’s admiration
The letter from Swindon Council described their admiration for Nervi’s Olympic portfolio, making particular reference to the Stadio Flaminio. They wanted to bring a piece of nuovo-Roman chic to Wiltshire.
The precise identity of the visionary on the Swindon Development Committee remains a mystery.The employment of Nervi represented a shift in the town’s traditional architectural style. To that point it had been more Industrial Revolution than Italian Modernism.
I’m so pleased to see this. There’s a blue plaque in Surbiton on the house where Jefferies and his wife lived. There’s even a non-blue plaque on Surbiton library. So it’s high-time his birthplace in Swindon got one.
This video on my under-used Born again Swindonian YouTube channel shows Mike Pringle unveiling the blue plaque for Richard Jefferies:
The other plaques that Mike refers to:
The Blue Plaque for Richard Jefferies over the blue front door of the museum.
The bust of Richard Jefferies looks down over his new plaque!
Also on the subject of blue plaques in Swindon is this almost comprehensive post: https://swindonian.me/2018/08/16/blue-plaques-in-swindon/ The post contains a Google map that takes you round most of them. I should get that updated really …
‘Richard Jefferies (christened John Richard Jefferies) was a Victorian nature writer with a passion for the English countryside and the richness that he saw all around him. He was born at the house which is now the museum, in Coate, Swindon, on the 6th November 1848, and died at the tragically early age of 38 on 14th August 1887. Noted for his depiction of English rural life in essays, books of natural history, and novels, his childhood at Coate had a great influence on him and provides the background to all his major works of fiction …’
I’ve been meaning for long enough to get some photographs of the GWR Park First World War memorial on the blog. It had its unveiling back in November 2018.
The memorial commemorates the centenary of the cessation of WWI hostilities. Designed by Dr Mike Pringle (of the Richard Jefferies Museum), it depicts different aspects of the First World War.
The location in the northwest corner of the GWR Park was selected because that’s where the sun goes down.
Made from five steel panels, GWR Park first world war memorial sculpture features cut out designs of: a horse’s head, a Lee Enfield rifle, a gun carriage wheel and the red cross of the Swindon Royal Army Medical Corps.
Artist Mike Pringle said ‘the pointed steel panels would be redolent of the sharp rooftops of the GWR works, described by soldier and Swindon author Alfred Williams as looking like the teeth of a giant saw blade.’
Aside from this sculpture in an agreeable green space, there are other good reasons to visit the railway village. The Mechanics’ Institution trust, run regular volunteer-led tours around the village. They usually post the dates and times etc on their Facebook page: https://www.facebook.com/mechanicstrust/
They also manage the Baker’s Cafe, central community centre and the railway cottage museum. For opening times for that see their Facebook page above.
The Glue Pot pub in the village is always worth a visit for their real ales. And now there’s the Baker’s Community cafe too, formed from the old Baker’s Arms public house.
