Why do the council hate the Oasis? Indeed, DO the council hate the Oasis?
I confess I’d not considered these questions at all until more than one person gave voice to them on Twitter in recent conversations about the Oasis. And the more I ponder, the more I’m forced to confront the possibility. Let’s look at the evidence for the prosecution.
In the first instance that action, I assume sanctioned by the Council leader, raises many questions. 1. Is it an appropriate thing for a Cllr to do? 2. Does such an action best serve the residents they’ve been elected to serve – many of whom do not want to lose the Oasis for a not-very-lovely, definitely-not-iconic gasometer look-a-like. And many others of a similar ilk.
I don’t know – I’m merely putting out there that maybe this is not something a councillor ought to do.
But putting all that to one side for a moment, isn’t such a thing an overt act of hostility to the Oasis? At the very least it feels like a petty action to take. One that smacks of a mystifying desperation to demolish something deserving of the term iconic. Something interesting, something significant and replace it with something about which, the word bland is the most positive spin I can find.
*Why wouldn’t a town’s administration want to do their damnedest to keep a heritage building? And let’s be clear – the Oasis is equally as much a heritage building as the Mechanics’ Institution, the GWR Railway Village, the town hall and many more.
*There are answers to that question for sure but I’ll leave it there for now.
The aforementioned Adver article quotes Cllr Heenan as saying: ‘People are passionate about the Oasis Leisure Centre and its emotional connection to families learning to swim, but this building does not have special architectural or historic interest, and no part should be listed.’ Cllr Heenan speaks there with both breath-taking arrogance and an authority on architecture I didn’t realise he possessed. Who knew?
Note – since the publication of that piece the Save the Oasis campaign have amassed a great deal of evidence to refute that statement.
Is this or is this not an act of hostility towards the Oasis? And indeed, I will argue, Swindon itself:
I for one, will be keeping my fingers crossed Historic England does not grant it listed status because it is time to give the Oasis a new lease of life and many more families treasured memories.’
Yet again, so many questions raised. How is it appropriate for a Council leader to actively and openly wish for the demolition of a heritage building? That’s an astonishing thing to say and surely wrong on so many levels?! For a start – how are we meant to have any trust in a Council leader with such an approach to heritage assets?
‘Oasis dome is at the end of its life – it’s time for a modern leisure centre’ screamed the Adver headline.
In the first instance there’s no such thing as a building lifespan – only lack of maintenance. And again the Save Oasis campaign have evidence to support that assertion. Apart from that, what gives Cllr Renard the authority to tell Swindonians that it’s ‘it’s time for a modern leisure centre’. Yet more breath-taking, paternalistic arrogance. Whether Swindonians want a new leisure centre or not, is for them to decide – not the council to dictate.
The Oasis as a tourist attraction
The Oasis used to be a huge draw. As Barry Leighton wrote in the Swindon Advertiser in 2015, it was a bigger attraction than Stonehenge! And it could be again! With vision and the right management. Whereas, ‘let’s go to Swindon to swim in a leisure centre that looks like a gasometer’ no-one will say ever!
Anyone would think that our current Conservative administration don’t want people to come to Swindon and spend their money here. Certainly, demolish the Oasis and you’ve got a gaping hole on the Visit Swindon website. #awkward
Have they thought this through AT ALL?
And another point to be clear on there. Any replacement leisure centre that doesn’t feature:
The dome
A freeform lagoon pool that offers easy-access for the less mobile and for small children the like of which nothing else in Swindon offers.
… a tropical themed interior …
… isn’t the Oasis. It’s a North Star Leisure centre.
Thus, dressing that hastily-shoved out CGI as ‘saving the iconic Oasis’ is a misrepresentation at best. And woeful ignorance of what the word iconic does in fact mean. Unless they were being ironic …?
And aside from the swimming, there was football, live music, roller-skating, martial arts, gymnastics and more. I could go on for hours.
But instead, I’ll return to my original questions: Why does SBC hate the Oasis? DO SBC hate the Oasis?
Answers on a postcard! Preferably to the Swindon Advertiser Office!
DANCING IS RIGHT UP HER STREET SAYS TALENTED DANCER AS SHE JOINS SOUTH WEST’S LEADING PERFORMING ARTS COMPANY
Swindon dancer joins RPA A young Swindon dancer, Beth Cooper, is soon to join one of the South West’s leading performing arts companies to create and run more street dance classes.
Beth (24), who lives in Rodbourne with her boyfriend, Jamie and their little dog, Rou, said that joining Revolution Performing Arts (RPA) is her dream job.
Beth Cooper
Dance and performing arts are such amazing ways to express yourself,” said Beth. “I have found true joy in dancing and would love other people to do the same.’
Champion!
Beth was a mere four years old when she joined a ballet class and then, at the age of six, found her niche in Irish dancing. Belonging to a large Irish family, she went to classes with her cousin. She loved them and became a South West champion!
When she won a performing arts scholarship in Wiltshire, she learned many different styles of dance, contemporary, hip hop, jazz and tap. Alongside all that she undertook drama and singing lessons. She soon picked up how to tap dance thanks to her Irish dancing lessons. But then she had her first ever street dance class and knew she had found her calling.
Beth explained: ‘I was 13 years old at the time and I haven’t stopped with the street-style of dance since. I knew then that this was what I wanted to do. I just knew!’
Validation!
She had those feelings validated recently when won first place in a street dance competition. She said it made her so proud of herself, as it was her first and only time competing.
In 2020, Beth was lucky enough to have a job throughout all the lockdowns and even moved house twice! Yet, she very much struggled with not being able to see her family, with whom she is very close.
My family mean everything to me,” Beth confessed. “Dancing saved my sanity throughout the pandemic. Dancing is something you can enjoy anywhere. In your own home or garden and is a healthy distraction from the Covid restrictions.’
With Revolution Performing Arts, Beth will be working with children aged six all the way through to adults. She is a firm believer dance should be uplifting. Beth wants her classes to be a place of complete freedom for students to have fun and learn a few cool steps. She also stresses the importance of teaching dance styles correctly with a historical background. Because the origins of each dance style are so interesting.
Beth is also a strong advocate of judging people for their effort, hard work and talent. And not on the way they look, their hair or skin colour or their weight.
She said: ‘I have noticed that things are already changing in the dance industry. I am very excited for the future and thrilled to be joining Swindon’s Revolution Performing Arts.’
About RPA
Fiona Da Silva founded Revolution Performing Arts in 2007. The company pecialises in empowering young people to celebrate their individuality through the power of performing arts.
RPA has its base in Swindon, but operates in North Wiltshire, Oxfordshire and Gloucestershire. It’s recently received a £25,000 grant from the Government’s Culture Recovery Fund.
Fi said: ‘I knew I had to diversify during the pandemic. So I am launching a programme of new sessions including more performing arts open classes, circus theatre arts, musical theatre, ballet for fun and, of course, street dance. Beth will be creating and running the street dance classes in accordance with Government safety guidelines as soon as we get a suitable venue. I am so delighted to be welcoming her to our talented team of RPA leaders.’
Swindon’s Oasis – the Last of Its Kind The ongoing Campaign to not only reopen, but preserve the iconic aesthetics of Swindon’s Oasis Leisure Centre continues.
This week a practising architect with links to the original 1970s Oasis architects, contacted Save Oasis Swindon via social media. Robert Guy, of Bristol-based Arturus Architects, has thrown his full support behind the ongoing listing application with Historic England. He has personally written to them, urging for the Oasis to received listed status.
As an undergraduate Mr Guy visited the Oasis on a project. That visit that inspired him to work in leisure architecture. Indeed, he went on to design Bracknell’s Coral Reef complex.
Letter to Historic England
In his letter to HE, Robert spoke of the proposals made to replace the Oasis dome.
‘It’s my belief that there must be a way to retain this unique feature. We have more lightweight materials available than when it was built. And, if it is structurally sound, it can be clad to give a much better thermal performance than it had.
The type of material used for the Eden project would be a most suitable material as it’s lightweight and easy to use. I would think that polycarbonate would also be suitable and can’t see why it didn’t give an uplift in the thermal performance when used six years ago. I suspect that the budget set aside to replace the original panels was too little. I’m sure there will be other materials which would need some research. From recollection the original panels were custom formed to each row.
‘At a time where keeping and reusing is being promoted as the best way of preserving the embodied carbon within a building, it would make sense to keep this building. I understand that the building is at risk of demolition without the listing.‘
The pool too
Mr Guy went on to say in his later that the pool is also worthy of listed status. ‘There are fewer examples of wave pools in operation and again they may disappear entirely.’
‘Because most local authorities have to use outside companies to run the facilities of this type and they are principally set up to operate as fitness centres, the operation of leisure pools is regarded as being too expensive and outside their core business. This has led to the closure of many of buildings of this type and a loss of facilities much appreciated by the general public. The few that remain have become centres which serve a wide catchment. The Oasis is such a building.
He added: ‘The Oasis is the last remaining example of a leisure pool from the 70s – all others have suffered demolishment or substantial changes. It also happens to be the best example that embodies the aims of the originators and is unique in its form. If this building is not retained, then the whole building type will have disappeared.’
Working hard to save the Oasis
Save Oasis Swindon have worked hard to keep the Oasis issue in the spotlight. The building has suffered numerous break-ins recently, and the campaign has conducted its own regular patrols of the site.
The outcome of the listing will determine if the Oasis is preservable in its current form, as the last surviving example of a major pioneering British Leisure Centre.
In a recent article for the Swindon Advertiser, the head of Swindon Borough Council, Councillor David Renard stated:
‘I for one, will be keeping my fingers crossed Historic England does not grant it listed status because it is time to give the Oasis a new lease of life.’
Yet, both Historic England and the 20th Century Society have refuted that statement, assuring our campaign that listing would not hinder refurbishment. Indeed, on the contrary, listed buildings can access funding sources that exist only for such structures.
The Oasis is Swindon’s heritage. Further it’s the last of its kind.
Thus demolishment of this structure will constitute cultural vandalism comparable to killing the last butterfly.
Demolish the dome and you wipe out an entire typography of building!
See also my Swindon in 50 More Buildings post that I keep updating as the campaign finds new information:
It began when civil engineer Isambard Kingdom Brunel and mechanical engineer Daniel Gooch put their railway works at the foot of Swindon Hill. Without that, Swindon as we know it wouldn’t exist.
The GWR Railway Village Conservation Area – Photo credit Martin Parry
Brunel’s design
On 19 March 1842, Brunel presented to the directors of the GWR, plans and drawings for the first 300 cottages. These were to sit parallel to the main line. Separated by open ground from the main line and the new workshops, these first dwellings were visible to passing trains. Thus, Brunel dressed them to impress passengers, with Elizabethan and Jacobean motifs on the stone-built façades. Think now of the aphorism ‘all fur coat and no knickers’. For the cottage’s dashing exteriors belied humble dwellings with rudimentary accommodation, no water and cesspits in the yards.
Basically, Brunel blew the budget on the Jacobethan dressings, thus forcing him to economise elsewhere.
Model by name but not by nature
A model village in name, the settlement was far from model in other aspects.
Thanks to overcrowding and suspect sanitation, a workers’ utopia it was not. Yet, squalid living conditions aside, the GWR built houses of notable architectural dignity and planning sophistication. Superior to most contemporary artisans’ dwellings, they set a standard for later Swindon estates. They never offered the back-to-backs familiar in other British industrial settlements.
By November 1845 the need for more housing became acute. Gooch stated in correspondence that ‘ten or twelve people were living in two rooms. And, when the night men got up the day men went to bed…’ You’ve heard of hot-desking? Well, it was ‘hot-bedding’ here!
Today it remains the last, and best, example of nineteenth-century railway workers’ housing. The railway village stands as one Britain’s best-preserved and architecturally most ambitious railway settlements.
In 2018, the GWR Railway Village Conservation Area achieved the accolade of being voted England’s favourite. That arose from a competition organised by the national civic voice movement.
The Glue Pot pub in the Railway VillageThe backsies in the GWR railway village
‘ … Betjeman was a lover of, and passionate advocate for, Victorian architecture. Thank goodness for that. Otherwise the nation and the world would have lost the glory that is Gilbert Scott Thomas’ St Pancras station in London and other edifices saved by Betjemen. We also have him to thank for the continued existence of our Railway Village. As a 2017 article from the Swindon Advertiser points out, the 1960s saw plans to raze the area. Only a campaign by Betjeman saved it. ..’
Brunel’s 1840 layout drawings show a grid layout similar to the final plan of twelve terraces, in six blocks, on either side of the High Street. From 1893 the High Street became Emlyn Square.
Construction began in 1842 with most of the buildings finished by 1855. Brunel himself designed only the first block.
The contractors, JD & C Rigby, assigned the job of building the 300 cottages fell into financial difficulties. Thus they only completed 130. That problem put back the village’s completion to the 1850s.
First to hit the finish line, 1842-1843, were the cottages to the west of Emlyn Square. Those in the east came between 1845 and 1847. 1845-1847 saw the end blocks towards Emlyn Square built, while the remainder, mostly end blocks on the outer ends of the streets were built in 1853-1855.
In 1966, the local authority acquired the cottages from British Rail and restored them.
From the Mechanics’ Institution Trust – The origins of the Railway Village
In 1841 the Great Western Railway Company began construction work on a major new engineering works which would become, in their heyday, one of the largest industrial complexes in the world. The chosen location was open farmland some two miles from the small hilltop market town of Swindon. The lack of existing housing in the vicinity of the works meant that it quickly became necessary to provide accommodation for the influx of workers. More on that here.
The railway village now?
The Mechanics’ Institution Trust has a keen interest in the Railway Village community today. They’ve undertaken a range of activities and projects in the area. They’r a key stakeholder for both those living there and the physical environment of the Conservation Area.
Now Grade II listed and built in 1870, 380 ft (1115.8m), 15ft (4.6m) wide and 7ft (2-1m) high, the GWR Workers’ tunnel still provides the main pedestrian access from the railway village to the Works’ site. Now that’s the home of STEAM museum, Isambard House, Churchward House and the residential apartments now on the site. Not forgetting of course Heelis, the National Trust HQ and the outlet centre.
The tunnel emerges north of the railway line at the western end of the general offices building. Until 1922, an early 20th century extension of the subway continued northwards under the office block to an open junction in the yard behind. From there it continued, by tunnel, to the general stores building beyond the Gloucester line.
*sourced from Swindon: The Legacy of a Railway Town from the Royal Commission of Historical Monuments of England.
A danger to life and limb
Before the building of this tunnel, Swindon’s railway men risked life and limb in getting to the Works’ site. As thelisting entry on the Historic England websitedescribes, the 1860s saw GWR workers suffer a number of serious accidents. In a single month in 1869, there were three deaths of workers struck by trains as they crossed the railway line.
And this light picture installation, put in, in 2012, are a fabulous addition to it. The installation depicts, in green metal light images, railway workers past and present. As I look at them, I think of the men and women, across the years, who used this tunnel to go to work ‘inside’ – as they referred to it.
As you walk through the tunnel towards the town centre this is the order in which they appear – I think …
The artist
The artist responsible, Bruce Williams, said:
‘The characters you can see used the route under the tracks themselves on their way to and from work. These are regular men and women, who worked on the trains through war and peace and in all weathers. There are riveters, train drivers and look-out people.
On the opposite walls in gleaming letters read the words Swindon Works. That’s the name of the site yes. But one could also read it as a hopeful slogan for the future.’
